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He is a journalist who becomes drawn into Webb’s, uh, web, and she is being driven quietly mad by the idea that there is someone out there better suited to her beloved boyfriend. Subplot segundo is formed by non-tech-matched but happy couple Hannah (Lois Chimimba) and Mark (Eric Kofi Abrefa). Tricky to answer, so Sofia’s wife shows up instead and presents more immediate problems. Cue hastily sketched questions about how much we owe someone in such circumstances. They have fallen in love via Skype but Sofia is left comatose by an accident after she arrives in London to meet Kate. One of the detectives assigned to the case, Kate (Zoë Tapper), is bisexual, as we are told repeatedly, and has recently been matched with a Spanish woman, Sophia Subplot-Primero. (Well, if he would go and work for a pharmaceutical company that just happened to have millions of DNA samples stored in its virtual vaults, what’s a flatmate who’s got a theory about chemical signatures to do?). Those reasons probably have something to do with the venture’s shady origins, involving the hacking of a friend’s work database, and that friend going missing a year ago. She co-founded it with fellow brilliant scientist James (Dimitri Leonidas), but he walked away from the business – and a multi-kajillion dollar payday – for reasons unknown. Rebecca Webb (Hannah Ware, floundering with a script that cannot decide whether it wants her to be a magnificent virago or a vicious capitalist bitch) is a brilliant scientist and the ruthless CEO of the company behind the DNA-matching technology. It’s certainly a different choice, especially when you dispel much of the suspense by giving away too much information too early.
#The one netflix drivers#
The One manages neither, unless you count the way its puts aside all that “What would the introduction via technology of perfect happiness and mind-blowing sex for all and the end of the two greatest drivers of human creativity, progress and despair, do to society?” stuff in favour of giving centre stage to a bog-standard murder mystery. To stand out, you need something new to say, or at the very least a new way to tread old ground. Before that, there was the Black Mirror episode Hang the DJ, which had exactly the same premise, not to mention innumerable novels – especially YA dystopian tales such as Ally Condie’s Matched trilogy – and short stories.
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#The one netflix series#
It is a premise seen most recently in Amazon’s six-part anthology series Soulmates, set in a near-future world in which computers run your DNA through a database to determine your, ah, soulmate, and Netflix’s Gallic import Osmosis. Adapted by Misfits creator Howard Overman from John Marrs’ 2017 novel of the same name, it is set in a very near future world in which computers can run your DNA through a database and predict your perfect romantic match. There is time to ponder such points as you embark on the new drama series The One – mostly because you will have seen it all before. After all, the streaming platform probably only served it up to us in the first place because the numbers and the data we pump in with every click of the remote – even more valuable, perhaps, than the direct debits paying those gently climbing subscription fees – told the company such a programme would be worth its while. T here’s something pleasingly spooky – or spookily pleasing – about watching a show on Netflix on the increasing power of algorithms to determine our lives.